I was talking to a dancer in rehearsal the other day about onstage mishaps. She was telling me about a moment during the last show we worked on together, when she was in the middle of a huge fight scene, and her skirt fell off. She couldn’t get it re-fastened, and spent the rest of the scene clutching her skirt to her body while trying to scratch someone’s eyes out.
Hearing her story brought back many memories. I’ve definitely had my share of onstage mishaps:
-There was the time that I was doing a show and a giant chalkboard was supposed to fly in from above during a crucial moment of a scene. Well, we had been doing a different show the night before and in order for the set pieces of that show to fit, they had to fasten the giant chalkboard from my show off so that it wouldn’t swing. Welp… after the last show, the crew forgot to untie it for our show. So when I called the cue for the Giant chalkboard… nothing happened! There the baritone is standing with a giant piece of chalk, looking up, wondering if this huge piece of scenery is going to come in, all the while singing this very fast French patter music. The baritone, who is honestly one of the nicest people I’ve ever worked with, was so confused and a little bit angry.
-One show a the soprano was supposed to sit in a chaise to sing her big famous aria. Well in the scene previous, another character was thrown into the chaise in a fight, and the force of him collapsing in the the chaise shattered it. Afterwards he told me that he tried to figure out how to put it back together while staying in character, but it was futile. No one was going to be sitting in that chaise. The soprano ended up singing her big aria about love and life leaning against a desk.
– There was the recital I stage managed, of a husband and wife opera singing couple where the husband, who wasn’t feeling very well, walked offstage in the middle of their duet. “I can’t,” he muttered to himself, leaving his wife and the pianist standing on stage and the audience completely befuddled. We took a quick fifteen minute pause. The wife and the pianist looked through all the music they had with them and cobbled together a solo recital program. It still ended up being an evening of beautiful music. The husband and wife singers are no longer married.
-There was the time when the clarinetist for a show thought that the performance was at 7pm when it was at 2pm. By the time we realized he was missing he was too far away to come in for the show, so the conductor and the pianist re-orchestrated the entire show to cover for the missing clarinet.
– Last spring, when I had to step in and call the show for a colleague, I accidentally left the lighting channel turned off during a crucial moment. (The lighting channel is the headset channel that I use to talk to the light board operator. Usually I have different channels to talk to different departments so that people don’t have to listen to all the different departmental conversations at once.) Anyhow, I left the lighting channel off accidentally, so when I called for the stage to go dark so we could execute a scene shift, the light board op couldn’t hear me and didn’t take the light cue. So the stage did not go dark, and the audience got to witness the somewhat awkward sight of the crew coming onstage to push scenery around.
Luckily these incidents did not involve injury, just lots of awkwardness and a bit of fast thinking of how to triage the situation.
As I was talking to the dancer about her skirt incident, she mentioned that her boyfriend had come to see the show and he said he thought it seemed like she was holding on to her skirt awfully tight. We had a good laugh about how sometimes things happen onstage and the show isn’t perfect. It’s very very rarely perfect, in fact. Often even though it is mortifying or stressful at the time, it makes for a good story afterward. She said that she felt bad that her boyfriend didn’t get to see the perfect show.
“You know,” I told her, “It’s live theatre. That was just the show that they got that night.”
I think that’s one of the beautiful things about live theatre – it’s not something that is to be experienced the same way over and over again like a movie might be. Of course we aim for consitency, and for safety’s sake that’s the goal. At the same time, things happen, things that you can’t predict, even though you can learn and prevent them from happening again. (putting an extra stitch in that skirt hook, writing a Post-it in my book that says, “Lighting channel ON”…) Friday night’s show is not going to be the same as Sunday afternoon’s show, and that’s okay. For Friday night’s audience, that is the show that they get to see; that’s the unique experience that they get to have.
And as I said that to the dancer, I realized that this is true of life too. We can plan and plan and anticipate events, but sometimes things happen, and this is just the moment/day/month/life that we get. It might not be what we rehearsed, but it’s still can be a very fine moment.
Diane I LOVE THIS POST. It is so fun to see “behind the curtain.”
The husband walking off in the middle of the duet – how does a show go on after that. What professionalism and poise the responses show.
I think that’s part of being a trained professional, too (and we can apply the same logic in our own lives). We train for when things DON’T go well. Actors/performers/the management crew run through “what-if” scenarios, so even when things go off-script the show can go on.
Again – love this post. Such a fun deep-dive into your world + lots of application for us regular folk off the stage, too.
Yeah, that Husband (whom I’ve worked with twice now) is really something.
I think one of the comforting things is that I’m never alone in these situations. There are lots of people who can weigh in with their ideas of how to solve issues that come up, so often I can just ask the right department, “What do you suggest?” and they will give a great way to get through things. Or sometimes there is nothing to be done and the singers just have to deal with it onstage… and they are usually pretty good at making the show go on.
You seem to have such a laidback approach to this. It’s probably something I should emulate, but instead I would probably lay in bed every night reliving the mistakes and beating myself up. I think your way is better!
Hah! I have been told that sometimes I am *too* laidback as a stage manager, but I figure it’s easier to be calm than freak out. I definitely do replay things in my head constantly, though.